I’m thinking about
watercolor
This morning
I was up early for a mixed media art class, in which I study and paint in
watercolor. (Oh yuk! More water stories.) With Daylight Savings Time over, I still am
waking up at my usual time. So I had
time to think about my next project.
I had a huge
piece of sturdy watercolor paper that I wanted to paint on. I’d kind of decided to do a bouquet of red
sunflowers. I gathered some photos on
the web and went to class to work out how I would do it. After spending an hour and some cutting out a
group of sunflowers (which weren’t the same size), I realized that I couldn’t
create the painting that way. No matter
how I placed the cutouts on the marvelous piece of paper, I couldn’t make it
work. Not at all. I was so disappointed. I was looking forward to painting those red
leaves striped with gold and their deep black/purple curly leaves. But plan A was a wash. I was so glad I had cut out the flowers to
arrange them instead of just starting to draw.
I put them aside. It wasn’t going
to work.
However, I
had a vase of those sunflowers at home.
I needed to photograph them in the base.
Maybe that would give me the forms I wanted to paint - but I had to go
home to photograph them and I didn’t want to leave class. So I picked up the other photos I had brought for inspiration.
I had
brought a primitive street scene, the sunflowers, a photo of a quirky house in
summer, some boats on a lake (that drew me to it, but I didn’t feel like
painting it), and a man and a young woman walking with their faces away from
us.
That street
scene drew me, but I’ve always had a problem with perspective. People tell me that after a while you just do
the perspective naturally. Me, I have to
get out the ruler and draw lines and puzzle out where the lines belong and what
is connected to what.
When it was
my turn to have the teacher to talk to, I told her my conundrum. She’s always talking me out of my comfort
zone and that’s what she did today. She
explained how I needed to do the perspective and reminded me that I’ve done
other things equally complicated.
There are a
lot of incidental people in that painting and I looked forward to drawing them.
We talked about what I needed to do to improve on the painting. (Yep, improve the painting. It isn’t enough that I’m copying to learn the
work of someone else, I’m planning to improve on the work.
Actually
these paintings are often just a portion of another work. Something that can be taken from another work
to be a bit of art itself. So the artist
has maybe not given this part her full attention. Other parts of the painting were more
important to her.
But me, the
student, I want to take this portion of a painting and make it something I can
be proud of.
So, the end
result of this class was that the sunflowers I’d brought weren’t going to work,
a discussion of perspective, a bit of schmoozing with the other students, and a
bit of watercolor paper still pristine, mounted on a board and ready to go, but
only the outline of the size I want it to be written on it (and it won’t
show).
So, be proud
of me. I’ve made my watercolor decisions
and will begin to draw out the painting.
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